Top and center: 1994 RHYME FOR A COLONISED BRAIN/RHYME FOR A FEARFUL TERRAIN. POST COLONIAL LANDSCAPE BOOK, curated by Bruce Grenville for the Edmonton Art Gallery.
Bottom. 1997 45" x 13" PRIMER. Fold out bookwork bound in linen. Polaroid color transfers, watercolor and ink on rag paper. Exhibited in two person exhibition of drawings with Otto Rogers, TIME AND ALL THINGS POSSIBLE at Kenderdine Gallery. Collection of the University of Saskatchewan.
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In RHYME FOR A COLONISED BRAIN/RHYME FOR A FEARFUL TERRAIN, (see header) there is a fragment of tapestry imagery beneath the enhanced images from a photograph I took in the nineteen fifties.

PRIMER was influenced by my visit to the Bayeux Tapestry in France, where I further developed an interest in dual narratives after studying the marginalia in this textile rendering of the conquest of Britain in 1066. PRIMER continues to incorporate reproduced images of my tapestries mixed with my drawings, while running two narratives in different hand written texts.