2005 ~ Ambiguous Artifacts Essay for Mary MacKenzie's Exhibition catalogue, Comox Valley Art Gallery.
1998 ~ Joyce Wieland commemorative panel. Dunlop Art Gallery. Regina
1997 ~ From Plants to Politics,
n. paradoxa, on-line journal from London, England.
Another Year, Another Party: The History of a Parrticular Saskatchewan
Community Tapestry, Saskatchewan Craft Factor. Vol. 22.
1995 ~ Canadian Art, 1995 (Spring) Review of Susan Shantz: Hibernaculum
Mendel Gallery, Saskatoon.
Kinda Art, Sorta Textiles: Refusing Definitions, Feminist Art Criticism:
Into the 1990s. ed. By Katie Deepwell (Manchester University Press)
Sismographe Publication, Montreal: Reproduction of: Lifes Tangled
Anthropology and the Tapestry of Time (A Romance of Convenience)
1994 ~ Canadian Art, 1994 (Winter) Review of Alex Janvier: Negotiating the
Land. Mendel Gallery. Saskatoon.
Fiberarts. 1994 (Mar/April) Commentary: On Symposia: the Next Step.
Newest Review, 1994 (February/March) A Romance of Convenience.
Catalogue essay. Annabel Taylor. Prince Albert. Little Gallery.
1991 ~ Texts, No. 7. Winter.
Ruth Scheuing and the Art Gallery of South-West
Manitoba, Dismantling Mens Business Suits, Dismantling Certainty.
1990 ~ Textile. (Ausralia) (Summer). About my inauguration of the tapestry
course in the Fine Art Department at Monash University, Melbourne.
1989 ~ Guest editorial for Fiberarts, Asheville, NC, USA.
1986 ~ Foreword for catalogue: Contemporary Imagery/Ancient Tradition:
United States, United Kingdom, Canada. Published by Cheney Cowles Museum. Spokane. USA. 1986
Foreword for catalogue: Tapestries from Botswana and Saskatchewan.
M.F.A. unpublished thesis: Love, labour and tapestry: unravelling a
1983 ~ Artisan, (Winter.) Fragile Magic: A Year in the Tapestry Department,
Edinburgh College of Art, 1981- 82.