Believes that drawing can intersect freely with the warp of the unconscious. In contrast, the pixelled grid, which is shared by Medieval style woven tapestry (ends per inch) and digital prints (dots per inch), dictates a taut saga between old and new technologies.

Knows that whatever technology she uses to make marks in her visual art practice are done in the spirit of extended forms of drawing.

Works With eclectic theoretical issues in a formalist aesthetic that incorporates composed and found text.

Constant Familiar

Visual thought for decade's end.